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Flickchart’s starting premise is simple: take any two films, present them to the user, and ask “Which is better?” By using only this mechanism of series of direct comparisons, Flickchart is able to figure out each user’s favorite movies of all time. It’s all at once more fine-grained than a five-star rating system and more intuitive than a 1-to-100 numeric ranking. We also think it’s a lot more fun.
As users ranks movies, Flickchart keeps track of those they haven’t seen – handy when they want to ask other users what to see next, or maybe plan a movie night with other friends who also haven’t seen it. Flickchart knows the genres, actors, directors, and release dates of all the films, so users can break down their favorite movies – or the movies they haven’t seen – into any combination they choose. Users also feel empowered by having their personal lists contribute to the site-wide collective list of the “Greatest Movies of All Time,” by taking part in discussions about movies with their friends, and by learning more about their favorite films.
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Reviewer Flickscore: 51 Die My Love (2025) Die My Love is the latest feel-good romp from Lynne Ramsay, director of past crowd-pleasers You Were Never Really Here (2017) and We Need to Talk About...
For better and worse, Predator: Badlands feels like the Marvelization of the Predator series. While director Dan Trachtenberg has had a good “tracht” record with the IP in the last few years, having directed...
We covered The Running Man in our Stephen King Book to Screen series back in 2019 where we declared that a better book-accurate adaptation of the film was needed. Its always nice when Hollywood...
Flickcharters might have loved this franchise once, but now it belongs with the dead. It’s that time of year where we rank a horror franchise to bring an end to the spooky season. It’s...
Katheryn Bigelow‘s A House of Dynamite is one of the most taut and tensely-directed films of the year with excellent performances, pulse-pounding handheld camera work, and a realistic depiction of the avalanching nature of...
Luca Guadagnino is no stranger to making dichotomous films. He’s tackled a romantic relationship between cannibals, a teased tryst in Challengers, and a questionable age gap in Call Me By Your Name, showing no...
Roofman is an exemplar of the bizarre discord that can exist between Hollywood’s marketing of films, and films as they actually are. Despite trailers promising a wacky hijinks comedy with Channing Tatum starring as...
Sure, these aren’t original properties, but it’s still pretty exciting: a new, previously-undone Stephen King adaptation, a hit anime film, and a sequel to a classic cult comedy all vied for dominance in a...
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